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Beginning in the early 18th century in England, many quaint new cottages were built surrounded by plantings of fruit trees, honey suckle, ivy, and all kinds of flowers to create intentionally romantic gardens.
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Some baroque music theorists wanted to make music easier for the performer to play and more meaningful for the audience to hear. Others theorized to a level of abstraction that was brilliant but challenging to understand and apply. This week, we’ll listen to music by both the pragmatic and the puzzling.