In the mid-20th century Black jazz artists began to make inroads into the movie industry scoring films such as Anatomy Of A Murder and Odds Against Tomorrow.

Sauter's innovative and challenging arrangements gave the big-band sound an artistic sophistication that anticipated the rise of the Third Stream.

Pittsburgh has produced many great jazz artists, and at the beginning of the 1960s two of them teamed up to make a notable series of albums for the Blue Note label.

In 1952 bassist Charles Mingus and drummer Max Roach formed their own record company, in an attempt to assert creative and entrepreneurial control over their music.

From Lee Morgan's "The Sidewinder" to John Coltrane's A LOVE SUPREME, from the impact of the Beatles to the avant-garde's October revolution, a notable year.

In 1953 a Gary, Indiana couple started what would become one of the most successful black-owned record labels, highlighting gospel, blues, R and B, and jazz.

Throughout the 1950s jazz promoter George Wein ran a Boston nightclub that showcased some of the music’s most notable performers.

Though it received middling reviews, the 1963 concert series included the festival debuts of Miles Davis and Thelonious Monk, the rollout of Dizzy Gillespie’s “Dizzy For President” campaign, one of jazz legend Jack Teagarden’s last appearances, and a tribute from the Modern Jazz Quartet to Martin Luther King Jr.

In 1961 saxophonist Sonny Rollins returned from a two-year sabbatical, forming new musical alliances as he plunged into a shifting and vibrant jazz landscape.

At the beginning of the 1960s jazz pianist and theorist George Russsell teamed up with trombonist and jazz educator David Baker and other Indiana jazz musicians to form one of the era’s most exciting and innovative groups.