News, Arts and Culture from WFIU Public Radio and WTIU Public Television
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
Harmonia
Stay Connected

Most Recent Episode

Wikimedia Commons
We’re continuing our series on music in and about the Americas during the first centuries of European colonization with a focus on Southern New Spain and the Portuguese Empire in South America. Join us as we explore the musical legacies of sixteenth and seventeenth-century Peru, Guatemala, Brazil, and more.

About

Today’s performers bring to life the music of the distant past. Host Angela Mariani explores the world of historical performance, presenting music of the Middle Ages, Renaissance, Baroque, and beyond. Thursdays at 8 PM on WFIU and Sundays at noon on WFIU2. Harmonia is a co-production of WFIU and Early Music America.

  • We’re continuing our series on music in and about the Americas during the first centuries of European colonization with a focus on Northern New Spain. Join us as we explore the musical legacies of Spanish outposts from modern-day California and Mexico through the Gulf Coast and Caribbean Islands.
  • This hour we’re all about that bass — the chaconne, to be specific. This harmonic-bass formula has had us singing, dancing, and strumming for more than four centuries. We’ll trace the chaconne from its mythical island origins through many delightful variations as it passed from musician to musician.
  • Convents, were among Early Modern Europe’s most musical spaces, and one of the few in which women could pursue higher education in a variety of fields. This week on Harmonia, we’re celebrating these under-sung cultural powerhouses with music written by and for nuns and other religious repertory performed by women over the centuries, featuring the latest by Musica Secreta.
  • Since 2018, Early Music America has hosted its Emerging Artists Showcase, a series presenting the rising stars of early music and historical performance. This hour, we’ll conclude our celebration of their 2025 laureates with Comtessa’s program entitled Florilegium: Songs of Medieval England from 1150 to 1300.
  • Since 2018, Early Music America has hosted its Emerging Artists Showcase, a series presenting the rising stars of early music and historical performance. This hour on Harmonia, we’ll hear a fifteenth century French program by ensemble Ars Poetica, one of three laureates to perform on the 2025 showcase.
  • Since 2018, Early Music America has hosted its Emerging Artists Showcase, a series presenting the rising stars of early music and historical performance. This hour on Harmonia, we’ll hear from 2025 laureate Charlotte Tang, whose program transports us to a fashionable drawing room in nineteenth-century England.
  • We're exploring medieval and Renaissance songs and dances collected by 18th-century “early music” aficionados in Britain. Plus, our featured recording by The Curious Bards explores Irish and Scottish identities through traditional music.
  • We’re celebrating the Internet’s fascination with amusing manuscript illuminations with a “Listening to Art” episode devoted to weird medieval animals. From cats with uncomfortably human faces to jousting snails, we’ll explore music from the times, places, and pages of their creation. On our featured release, violinist Cristina Prats Costa shares delights of the seventeenth-century Mediterranean.
  • While incarcerated at Fleet Prison, English composer William Cornysh wrote a long poem, "A Treatise between Information and Truth," which drew upon many musical metaphors to explain how and why he was falsely imprisoned. This week on Harmonia, we’ll explore the life and music of William Cornysh II, 500 years after his death.
  • Sometimes we need a good cry. Music can provide a space for mourning and lament for both personal sadness and religious observation. This week on Harmonia, we’ll be exploring musical settings of the Book of Lamentations. We’ll hear uses of this text in traditions from Tisha b’Av to Tenebrae.
  • This hour, we’re continuing our exploration of ways that landscape has been reflected in the music of earlier centuries, from topography and weather conditions to wildlife and human interventions. We’ll float down rivers, stroll through peaceful forests, and admire hgfdqpowerful storms in music by Clément Janequin, Claudio Monteverdi, Matthew Locke, and more.
  • We’re exploring music in and about the Americas during the first centuries of European colonization. We begin our journey in New France with the musical legacies of Jesuit missions, fur trading outposts, and occupied indigenous nations.