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Rania Matar’s Portraits of Lebanese Women

Rania Matar with hand on hip standing next to Leila Reichert in front of red wall with photograph of a woman reclining on a red couch in an apartment with hair in front of her face and a bouquet of flowers in front of her.
Kayte Young/WFIU
Rania Matar's exhibit, "Where do I go?" at the Eskenazi Museum of Art features photos of women in Lebanon in their early twenties, contemplating what's next in their lives. Leila Reichert (R), the museum's Curator of Contemporary Art, collaborated with Rania on the book of the same name.

Rania Matar has been photographing women and girls for most of her career. It started with images of her children and expanded into an artistic practice that includes women from Lebanon, her home country, and women in the United States, where she has lived since the 1980s. After 9/11, she wanted to express the shared humanity of people from both cultures, in a tangible way, through her photographs.

She has explored the lives of teenage girls through portraits in their bedrooms, surrounded by the things they’ve chosen for their personal spaces as they are forming their independent identities. She did a project featuring 12-year-old girls, capturing the awkward beauty at the edge of puberty.

Her latest project is called “Where do I go?” It is an exhibition and a book featuring portraits of women in Lebanon in their early twenties, around the age she was when she left her home country. The portraits are staged in abandoned buildings around Beirut and in natural landscapes like apple orchards and fields of poppies. Rania collaborates with the women to choose locations of personal or social significance.

The project was timed to be released at the 50-year anniversary of the start of Lebanon’s civil war. The exhibition opened in March, 2026 at the Sydney and Lois Eskenazi Museum of Art at Indiana University. The photographs are on display through August 02, 2026 in the Rhonda and Anthony Moravec Gallery, Center for Prints, Drawings, and Photographs on the third floor. The book, Where do I go? is available in the museum gift shop and it features essays about Rania’s work, including a piece by Elliot Josephine Leila Reichert. Leila is the Curator of Contemporary Art at the Eskenazi Museum, and the curator for this exhibition.

Kayte Young spoke with Leila and Rania about the exhibit, their collaboration, and about the joys and challenges of working and creating in such a complicated place.

Common Ground Films

Two men on a snowy mountain peak in climbing gear hold a banner between them that says "Common Ground Films"
Alex Paul

Bloomington filmmakers Kevin Weaver and Mitch Hannon ran into an issue when pitching their newest documentary, Beyond Vision, about blind kayaker and adventurer Lonnie Bedwell: it wasn't commercial enough. That's why the two of them, along with other local filmmakers, created Common Ground Films, a nonprofit organization centered around telling the stories of individuals who otherwise would not have their stories told.
Associate Producer Jonah Ballard sits down with Kevin Weaver and Mitch Hannon to discuss the founding of Common Ground Films, the story of Lonnie Bedwell, and how to make films when there is no one there to fund them.

Atari Landfill

Sunset over a sprawling landfill in black and white with a video game cartridge in the foreground
Tyler Lake
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1214100680
In the early 80's, Atari dumped truckloads of games in a New Mexico landfill. In 2014, video game historians dug them up.

In 2014, a documentary crew, an academic, and some gaming legends unearthed video game history from a landfill. Actually, it was probably a mix of archeologists and backhoe operators that did the unearthing, but they were all there in Alamogordo, New Mexico to find a treasure trove of Atari ephemera. Writer and educator Raiford Guins tells us the story of how a ton of gaming cartridges from the early 80’s ended up in a landfill in the southwest. In typical Guins fashion, he makes the point that the story that has been repeated, often involving the failure of one game, is more complicated than that.

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